The first pipe I made was in olive wood, almost like a game, but it ignited my passion for this object.
The experience and technique of using limes and knives derive from my assiduous participation in the Airenti and Lowenberger violin making workshops, where I still make my pipes today sharing the passion and desire to be an excellent and very precise craftsman, almost manic.
The first step, or the choice of materials, already identifies the quality of the product I want to obtain: top-level briar, selected by Mimmo Romeo and German ebonite for mouthpieces.
I often go to Mimmo Romeo‘s laboratory (one from which I learned a lot), where I had the luck and the opportunity to meet internationally renowned pipemakers with some of whom I collaborated.